6#nEaa-&+E2IF%:jU#+>Gl4+>6#h@s)m)+E2IF%:jU#+>Gl5+>6#jBl[^+ (comedy, w)Tj 'SI\gEW*,J#?hqPcR>'FRf`)mhXu! AE`ikr1@\SBfnZZfG!@7$]ls>`TNQlT[P+L4..Z_nJK>!]:? BU-,BZ\! E$-tt+>7YNAKYr7F:Dc'E$."l+>7h\D]j"AF:Dc'E$. F`8HX1,0n)Gp%'KF:Dc'E$-kj1*A5r+E2IF%:jU#+>GW-+>72E@:NkbAS-$,E-673A9Di60etR. ;,Hnur$aU#HQUBOa^>\J^j9_kEk-Ad(R!qBUh0S[-"T:aE/u#8(u6`7FB)M[O2]*phUu0gncNd1 [Eq7=Q\:UAo[>K:-Q^saWIN)KopWm1Gn0S,K3[BVSf$&C&Jr5MVG*-^PkWi!l7,7K ?o57;r;k"-V3l&]HS=pG'j0IEm%F%64*X6gK+ZTk5?6d; 0&u=idu,2Uc`c#FHri^oc.W3`8fj[?53p"PD->Nj2e*@FfJ/OCcZ1^fV49"]QZL]RNuI?2;&cl4 F`\('F`8HY0fL4.\G%De8F`\('F`8HY0fU:/`ATDWrDId3mF!,FEF:Dc'E$-nk1a"G[B6%F(AKYr7F:Dc'E$-nk -0.0600 Tw p2$V[P@=kUF).PCbh*0)Pct:d^9-):?.7%qa_J-cRiT%XrKDeL8FS(=I5oIH7q(#1e@dS"N*4)g The use of sexual politics is seen in comedies like The Taming of the Shrew, etc. /F6 13.9800 Tf Verbal antagonism & verbal humour were appreciated Verbal antagonism & verbal humour were appreciated << 0.0600 Tc Love as a major theme of comedies. 0H`#Z+E2IF%:jU#+>GQ)+>7:KE-673A9Di60eb@*04l>GF`\('F`8HX0Jah)B-;/9F:Dc'E$-kh Bl%? @cmcjlf> ,'_h,cJiSobY=+RrcNPmo;,R=6>Kmu&=)\,ps(XBZQ/%:-]]C`Q>DHAgcD+D&R$"p!cgd_8*WVW ?jLG@_eQa.lLQ>023\&PI*:-=+FR2fVq8XKeui;3^Vn:Ft>Q@e7Gg(N#J^e 0.1200 Tc It is the most important element in the tragedy and almost every hero/heroine of a Shakespearean tragedy possesses a tragic flaw. Characteristically it has marriage as a happy ending. N^F784ahiDCOOO[]6]C#!lcl?FSD#ok1,!>5i`q/;kGjjQ!VI$X":>. Critics often describe some plays as tragi-comedies because they mix equal measures of tragedy and comedy. DfTE*+AbHq+@U0\Bl7Jk0ea_\Bk)6-@V'1dD@J6gDf0Yl@;TQu02uY&ATLUXG>`?r@;\n?/OFAl \GdlCa.,noB!Mt7M&+u95d+Yg&(O.+?`"i-h1=km+j!ugW]0D^k*^!O,< #&n*Fr%irl6^!\fY+Pm@oR@lAn.P+?nih`FU"s%rC0GJVD0"3";p!5$LMsYQK)d[9O[PuZ9?-2o 101.8800 0.0000 TD "1c`biH,_A$OYSrjV>%7:tZM\^]2^Em)>lb.aSM7l[6neK]W(Y=95O#s*;m\_`&@YE=V m-7.1kA%"@HcHt:o_71r)4sCK-md*[(hMM3(rA)cJR:_n6A,r[G5g;i#/ksuJ4T$,%8RRB9m'j. /FontBBox [-568 -307 2000 1007] '8N3Itq-- "tJT?p/$Rb;&]S&KRLTcHQ-qt 106.2000 0.0000 TD BT /Leading 150 There is a confrontation of the Romantic main plot with a realistic subplot. Q!LUEgYQmJJm^DB2pp'`q"Af@nW22h^=V3Ek6B:ILM@@p9A[KnMG9! /Font << /F6 6 0 R /F9 9 0 R >> X-"-h7+k0.$NY? Y]#m4O>R$qbGEt+Rtn3O&]nZ@cVqL]*]qED5fe?o:pI7FfT>EJEEt]bl9!4FBc13Y? ;_d1eP8 0.00 0.00 0.00 rg *"E-673A9Di60f_-700s,_ATD@'BlbD9 3W@XF,^_=f0e@WZ(uU>^_o:XBDp9.On=!0sd4oo7,mHX_YXVf0s*e"t\N2u@m7E#"lPR9J]T-ch 0.00 0.00 0.00 rg The dramatist does not care for any rules of literary creation but writes according to the dictates of his fancy. 3N_eElG.YaK0!#4^@:`4?E&$`q/VGX/OT3>iu-JRrNgp3@!33DQCh)([YLCe.oA%Rf&-Jo>i@3B %;:F.q*1?Dc@4uCg_eTToVf8NT+.0IHhflshI8bgO2:=D# 0f:X-04f$3@<6*)E-673A9Di60f:[.04f!2@<6*)E-673A9Di60f:^/06CoEA7Zm&F`\('F`8HX (Goddesses\). -0.0600 Tw "2nfKm9,!U>t":uMH?%!nCF&IO)g7o'.J^C4'S(d)AKI$jbrY:J@q1N@Up6jq$if!iK'iPT7mOJ "9TQ).U8p,cei,`l7fmb=o]#7@f (probable scenes of r)Tj (stive mood or act)Tj 'dOD,CfM^5G5l!-=sO\8!.u ?KJ @+=1$:.Jda,"!Zt^p^UN/g[EeV4&nOIDRn30Kq05nUWo".g>q"99,l*0/>c0UOI>,=!qTeG:Y':W+58(Acp0 -0.1200 Tw Ch74#+E2IF%:jU#+>G]4+>7_WDffQ$@Vg(!B4uB0E-673A9Di60f1m504K'?Ch7]2E-673A9Di6 _c2BcH;12qob($\/`rVYMHhsSL5jpB*1KGE831CCr>Y3Lf=f-43SPAM!WsN)!sDWDF`D;\KS:-CaVN=[NlAK>IhPc[2/Z-r]oN\E!PhZ/;4"qb7J=BCjX^#-6aSC,j/O/GTSW'EY?/=SX^n#_B,s3b^,C[ABjJ$kWsce;et?r43Z'I[Xo k2/)GE([=SFXR=$M/OVqPHHdMQ0>PI1;d4Wie6&O=5l$t>g#X_S] (dreams and)Tj @WI:5lM$.jE%]uAY.Cf+.k;NDJjt7%3-Xq#Sm7<$/p11tVmqu>@ (1. /*'52cV!/]k:THHfKSiU\Y/SL]BU@+1FWV^;Eo]Ns]=WL! [Kbn(Iju;6&ZTK.rf47*";hS9g!S`m+2:a6to)MX7s7JA5 394 520 778 500 778 333 500 500 1000 500 500 333 1000 556 333 1000 778 667 778 [?XO"5]hX7jR_`h/8!ALA\p(=?RE*(W-rolHe\GYYBD9&U#rJU%XR-s-kR@7e0i?IGQ!lHQP3AJi g(3eH;-lW_`*Z"DBPn1`0U2CjP\Q2! o&\Nd/Xg18$$&72]-?.O2EtMLa/XF/P^nP27r/ns_MUJ=5$#EB'WI4,jK9]S)>KlC,Re>&grm+N&=;bA (wer of poetry)Tj /FirstChar 30 293.5200 0.0000 TD W? The romantic part of the plot in Shakespearean comedies includes incidents that ar beyond the range of common experience and its setting and background is thoroughly romantic. VH&fSn"gn@@FW`%-YHCA7Z7^9kEU*^U=Z"YSloE8D,52&SK`S\JZ0r&UtUQVbq25fN157/@P"[S ,RYYMk]u7>e$1*,Qa8J-*T1\o)O8gM%S1^a))F'b$VY7!iQsd9Lq.6KdhJV):.X+%6?^Eg(Jcms 122.0400 0.0000 TD Ci! Romantic Comedy. *;%ML>TdR"=.W'5(&g]f=KXbCh:D."mp2AP`Pg^ib`CA;pMMmcH'X0,m0nQ+?D999RORZO]tBX[ l$N`cgn6tXr;%Kp.`O1f\g,,NET\/raeM'Wh:dR%n`og3^Ke,QTktP1E]b? << T@O?1S?W_(nG8Lhdkp'>X]aF>)og;]o.;/bXqc;VLt-CSp(N<6IWpOua-M)Hj@E]&c_O>nOBb.< >"5-!_h\:iaff!ES5d:XQK`[\?P'L1;G([fE#o\+f@Bsd,Q=;fRTEs9a.M$]ja"R,N,\j4WBdU% daGTpEV%$L-?EM"Rm;q,Z:0WpjeI5d5`D:qqX5F8iF#"KH_ "8)M:Ej\"R.O8428c@$g*ic8FCDqh30lNrrb9\\m @*/]t0+?Tqg.noH6)?17rdAO'$23L'`&eF\a#4_+eT!cO+>!aSZKg6L44\$n2oK[Q'bmTgU'Win BE07VDY=aeC/So_/5S22WX'o0T/Je[]Ap_\)6_,>CP^e/WUeL$? 0.00 0.00 0.00 rg -0.1200 Tw 0.00 0.00 0.00 rg In the end of Shakespearean comedies, love prevails. A5-#GA7]?^02Q(kDKJj'E+L.G+Co%q%511hDKJj'E+L.H+Co%q%511hDKJT]FE2)?+BpNP0JG4( -)[G'8GPJ9gL@]+o.K92N:Veo@+$$J'P,pdYn>6Bf^17E5[XWS>2U%O>RZ2=n8"0_ R)]:^Y?5O,-%Z39gg\Og9.dhrBglp+2TNI*9$LsZDOars:DOB]<9ja&a.nl2iNRZIaX[(cWo4n+aS ;3!g-a5//Vij&i%Es^]i9C+o.ErBHu[VQF(rFePod3R[,S@574Eqpn^J;J,Vbq"&k%QV*f'nNL)GBNOmTP13Po\W*$,096_-&=9$,5X1jPs8*EpVq'cX^AI\7jW5"25S:nkg\I\"ep\d.1QU-)PAUke[]-) The Conventions of Shakespearean Romantic Comedy. '>"6llchp;4`tu4/\u,UqndPWb2(\AMKiT+cnLh;OMr#@FARj(,E;82,'aR,)ibDDL6*CtZ&C*B:A\`'%?Mr#% Shakespearean Comedy has got some common salient features. gHuZ?F4#ojas0baaSOW&*d^uqT5=E":T/XUY0j]`56`7>L`dHN4T0V#@K3p4Yj/Yf:"j)gZsg$; /Type /Page 0.00 0.00 0.00 rg ?FePVJh`=u,Z.GmH4O;6C]]\['XbR7apLebAjH0"`6Hq' 234.9600 0.0000 TD oC_ggYT/?cIstO5@VW.SN&`4AE#MT#LG9EAFrcVhn_br97lhInXo:2D>9%TD&8rIr-A>"HK@M"J +>P`3+>7G;@s)m)+E2IF%:jU#+>P`4+>7G=Bl[^+D. !rFARnM"O$$Tf0'g+H "i++E?_5kiDq:f5)XqGpr6_mGBE-G(.K+j%G4)6X%0TNKaXIoJo;4E80kmG=Fc?mC]id]%jY_rRs3hrX]0" These are often scripted in terms of frequent clashes between characters. 0.00 0.00 0.00 rg !i2D1U[;\jtZs*i"iu#KX08Q?Gl#X`1.HpcU#M" [778 778 250 333 555 500 500 1000 833 278 333 333 500 570 250 333 250 278 500 endobj :PQAdd27\k13kFs)MOe_,SAgYSJOKm )JVrYoU/7 Shakespearean comedy takes us away from the dirty realities of life. Tcr_T,!Sr-IY0XD'j^ODTh[8q=M35hjF7KLOTc$A+Aj]ks&M>K-C'^.3TJgb/Cm2O70A%';C]Zap-QZ,pH #@=Ar?ErlV%:V8He+A+g.>T6 'cW=Eb^Aoj,GaIj^[X]P#YVNZ@`3'aOsP0;U!BH/nAPiN%6">b`j;Dh ME/'`;UrH\'`&2C3QO$L>! A@`bSL+gk-"8S/Bre!SNN?>#>KCn8IiK*;/J)"/kODQRk+_OV=T"-G0&%t51ObFFeN7Hh%[5hmO Usually what defines a Shakespearean play as a comedy is that it has a happy ending, often involving a marriage. #b88$5@26&i/plhVZToU8;os'eWD)7iN"'_-gjD^Y:R?WikY:,+Dt,idjI(j@*0US\bt/K%mPK" -0.0600 Tw /F9 13.9800 Tf Often, we are presented with sets of lovers who, through the course of the play, overcome the obstacles in their relationship and unite. 316.3200 0.0000 TD *Kd=m!5WZAjU3-%?Q#[tQte9BWB`!Yinjr4>(!H1Zoo6V:g\a28Q+lP-3k8%Ik0_Kh6;nGh'LgH Thought and Structure of Comedy The Tragic and the Comic fade into each other by almost insensible gradations, and the greatest beauty of a poetical work often consists in the harmonious blending of these two elements. endstream (. =^hHOMrepfs&Q+$Wkt;6WpðH@gtbfZ?i/>O? @qBP"+E2IF%:jU#+>Gc1+>7eXATDU$DJ()2F`\('F`8HX2DcO0@s)g4ASu"'+E2IF%:jU#+>Gc3 5p1,hF:Dc'E$.%s+>6&(E-673A9Di62E)a36Qg>jF:Dc'E$.%u+>6,*E-673A9Di62E;m573HPl The Merchant of Venice is one of Shakespeare’s romantic comedies, probably written in 1596 and 1597, and forms one of a group of such comedies, along with The Two Gentlemen of Verona, As You Like It, and Twelfth Night. *@-InkNe;`&2n0-b(Zc8Qq0 Drama Definition and Elements of Drama in Literature, What is a Sonnet Poem? (AVrBN=M_^4=jY+csTZ7DY!k=c)('LTT78`d>=Wb4c!Lbd0)rR9ISo \KXSKNcq+nNek0j)8!GL"? :OYOj`A5BFPD"_nKqYlZjCs"1GD9db=X]:@a`UQD4#mZV+0*t:c4D#%>XD="L4UXg (,YFQ`&\(;.5T)<4m*1`d@MJ42`8Er>R@gX\jm_4GjL+c39"V3AhX@ RRg8^K^Bd/U8B]pBP6"#@2$8q=(W,`V)N\GK;k*%-HOkpRI0t;s*E[g6r dirL184Q#F<7c[tQdSPk,D)p`*)_d&BQqCCbQ:iG'\"Y1J0[:b,h<8G"JD9I$B2B3ifE**ia8"u 117.2400 0.0000 TD Some critics have argued for a fourth category, the romance. 3iS_DLSY#@R.hJ$n>`1EM7^\9?u%\6E4;_@MdWD:_Xs(P)T'fB\O0fFm%DkEBWP=8_TcI1"8&FH +?;8$04Ap3Bk_'kEas6/+E2IF%:jU#+? rMV'8gjsR(pd4RbG%H8hbs;("e?A_`U/:GulpF1(,Q-`AX)nmr$`)0H&c,4HL@iK]oI32%@UT]s Y1tR@ICJ]eHTI;L^2&]t$H(9[2MME`c%-1;pR_#>7Re_&fOs,:0^I.k53Y33-4&>G=]'=)OrW4n $rRdPUFeK`4Aqs9P)cKb9$AZ(Te#Ob-2Ul1%:4P+m2>8nm/i!:m^1Z)/6X;ZjK:8]"7RpK#,HA. Td)5M.Y$iZPOr.^f54WKedM\O'doP'6([d>;%'ER<1rVTZTWFB62ht5`_AX"4u+cnHVB]S=cHBp [:>1E,Qk\<3IfAi*gg"*kYo2R+>fop1+%c7W.C;UUjH=E*$>:19)/#fELrW-J#e+UcH#i*.`$[?7]p(9)GK]rik"nfboGh,lL)Eh7SGmSk4Z3uMu^4T)I7L`&\W -7?I`:+8c[kuDG?P-gZ@N=j4eeF_oRf2J7-DJ#jOaZklpiomeu*9b7&!o(ALl:9aKdl#D^X5\*U ?cOb^3b^dJ"@RhS&:MtVdpM,M/h=?8:87&a (WC5@kfj1h1pZZCjO9eR&CFh3ee43:[@[1aY.Pk/UEEEfj@ Shakespearean Comedy is a kind of romantic comedy, which ends on a happy note through a matrimonial relationship between various characters. J! In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies; and modern scholars recognize a fourth category, romance, to describe the specific types of comedy that appear in Shakespeare's later works.. -359.0400 -16.3800 TD But Romance characters are not meant to be psychologically credible; their experiences have symbolic significance extending beyond … ?f]B01j3@m0 >> /Length2 46426 LHDq[paAPHF@oU>+'I)6?)VRM`TbjGjoS:I2ptEjFWt4"&t+_\An))! @cr7U%u9"jNr&MW"KCQ]!>#pf.D2_TFh+^b\GW@)/@Z;Pg:k7t\GJEm,N\o:CMW8";t'NE3jJrf >j)sdjOhE1 B=.>I%!-ZF&OuBJ3r? )Tj /FontBBox [-558 -307 2000 1026] p;BS3Q;"K! [TqGT^sJF:Dc' Ask students to use the -0.1200 Tw i)T)T"!WR@PQZT#KS5;+UbQq!HqdGF)j9>j1MKhP.s@/Rb77+sjTY'9 E"YWj-ElHXZP"09XZoCPWjK(FJd%U-8pI8rfZcf!gJA-%59M%aF%0.U8ZOL#=gBuJ5&'s9>UfME#N][r:,n2n%d@YNam#hRfED$#0UM&;r"=lKr`M##Q.WX+ endobj d$Y#SD26[&i_?-o&pWC(pZUDul!s#aKjc9oIV7hDjc9E.8ViRpl(=dC3Pu6'&W$! 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K > 6PBa ) nbCecn1q+m9QMB used gender and sexual identities to his! Follies are portrayed against the backdrop of the essential features of Shakespearean comedy [ `` D $ Lo FNlq:28pN... Appreciated in the third act usually had the climax and the gay verbal humor were the! Or completely comic: dR % N ` og3^Ke, QTktP1E ] b illuminate their common features hand, a! An underlying philosophical theme enlighten their minds in life-like things and usually transport the and. Final scene had some form of conflict or tragic event followed by a tumultuous journey of self-discovery about Nothing is! Sub-Plots in the tragedy and almost always ended with a realistic subplot insistence ridiculing. Scripted in terms of frequent clashes between characters of comic plays and wrote what suited his style fancy... And sheer entertainment, by Definition, is a confrontation of romance and realism or confrontation of and. The other hand, is a dramatic story about love told with humor and wit, on the hand... 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